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人工智能技术逐渐渗透到我们生活的方方面面。其中，AV Concept（智能视听概念）作为一种全新的智能生活方式，正逐渐改变着我们的日常生活。本文将从AV Concept的定义、特点、应用领域以及发展趋势等方面进行阐述，以期为读者展现一个充满科技魅力的未来世界。
一、AV Concept的定义
AV Concept，即智能视听概念，是指将人工智能技术应用于视听领域，实现人机交互、智能推荐、个性化定制等功能，为用户提供更加便捷、舒适、个性化的视听体验。
二、AV Concept的特点
1. 个性化定制
AV Concept可以根据用户的使用习惯、喜好和需求，为用户提供个性化的视听推荐。通过大数据分析和机器学习，智能系统可以精准把握用户的喜好，从而实现个性化推荐。
2. 智能交互
AV Concept具备智能语音交互功能，用户可以通过语音指令控制智能设备，实现播放、切换、搜索等功能。智能系统还可以根据用户的语音习惯和情感，进行相应的反馈和调整。
3. 高度集成
AV Concept将多种视听设备进行高度集成，如电视、音响、投影仪等，形成一个完整的视听生态系统。用户只需通过一个智能终端，即可实现对所有视听设备的控制。
4. 跨平台兼容
AV Concept支持跨平台兼容，用av concept户可以在不同的设备上享受相同的视听体验。无论是手机、平板还是电脑，都可以轻松接入AV Concept系统。
三、AV Concept的应用领域
1. 家庭娱乐
AV Concept在家居娱乐领域具有广泛的应用前景。通过智能电视、音响等设备，用户可以享受到更加便捷、个性化的视听体验。
2. 商业场景
在商场、酒店、KTV等商业场景，AV Concept可以提升用户体验，提高商业效益。例如，智能音响可以根据顾客的喜好推荐音乐，增加顾客的停留时间。
3. 教育领域
在教育领域，AV Concept可以为教师和学生提供智能化的教学工具。例如，智能投影仪可以根据学生的反应调整教学内容，提高教学效果。
4. 医疗健康
在医疗健康领域，AV Concept可av concept以应用于智能病房、远程医疗等方面。通过智能音响、智能电视等设备，患者可以享受到更加舒适、便捷的医疗服务。
四、AV Concept的发展趋势
1. 技术创新
随着人工智能技术的不断发展，AV Concept将具备更加先进的算法和功能。例如，更加精准的语音识别、更加智能的推荐系统等。
2. 跨界融合
AV Concept将与其他行业进行跨界融合，形成新的商业模式。例如，与家居、汽车等行业结合，为用户提供更加全面、便捷的智能生活体验。
3. 国际化发展
随着全球化的推进，AV Concept将逐步走向国际市场。未来，我国AV Concept企业有望在国际舞台上崭露头角。
AV Concept作为一种引领未来智能生活的新时代，具有广阔的发展前景。在我国政策扶持和市场需求的双重推动下，AV Concept必将在未来生活中发挥越来越重要的作用。让我们共同期待一个充满科技魅力的未来世界！
1.Generation Gap
Nowadays, there is often a lack of understanding between parents and children. Children always complain that their parents are out of date, while parents can’t approve of what their children say and do. Thus, a big generation gap is formed.
The gap remains wide for many reasons. Children want to be free to choose their own friends, select their own classes in school, plan their own future, earn and spend their own money, and generally run their own life in a more independent way than many parents allow. Also, young children wish to be understood by their parents, but most parents don’t quite understand their children. They regard it as their responsibility to teach their offspring traditional beliefs. They want them to be obedient and do well in school. Therefore, misunderstanding often arise from parents’ tendency to interfere in children’s daily activities.
In my opinion, most problems between parents and children could be solved by joint efforts of both sides to enhance mutual understanding.
代沟如今,父母和子女之间经常缺乏沟通.子女经常抱怨父母过时了;而父母并不赞同子女的言行.于是一个很大的代沟就产生了.产生代沟的原因有很多.子女希望过比父母允许的更独立的生活:自由的选择自己的朋友;在学校里自由的选择自己的社团;自由的描绘自己的将来;自由的支配自己的花费.当然年轻的子女们也希望能够得到父母的理解.但是并不是大多数的父母都能够理解他们的孩子,他们认为教育他们的后代树立传统的信仰是他们应有的责任,他们希望子女在家里能够孝顺,在学校能够好好学习.于是,不理解就往往从父母打算干涉子女的日常生活中产生了.
我认为:父母和子女间的代沟问题可以通过双方相互理解来共同解决.
Generation gap is a concept which means a lack of understanding and communication between parents and children. Children always complain that their parents do not understand them while parents worry about their children's behaviours and ideas.
Why does there exist a generation gap between the children and the parents? Firstly, people who live in different time have different viewpoints towards social customs and tradition. For example, parents who were born in 1950's are very surprised at the fashion in 1990's. Secondly, the parents and children seldom sit down together to talk or communicate with each other equally. If they do so, the gap will be narrowed, If not, it will widen. In most cases, the parents often blame the children's behaviour or style of clothes instead of caring about their thoughts. Thirdly, the children want to be more independent, but the parents still want to take children under their wings.
To ease the problem and bridge the generation gap, parents should treat their children as friends and try to understand the feelings and thoughts of the young. Meanwhile, children should respect their parents and think of the problems from their parents'viewpoint. Furthermore, the parents should keep study and catch up with the development of the fashion. In this way, they will understand their children's behaviour. Work together, the problem will be solved.
personal business私人买卖、私事
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2.
The generation gap, puts briefly is the psychic distance which because the disparity in age level person in the thought idea disparity creates. Was likely same on the ditch, has separated a generation of generation of person, affected between two generation of person's understanding and the communication. Not only but arrived the new century, the generation gap has existed in the previous generation with the next generation between, moreover was separated by 10 year, between 8 year people in the age, even in between university's higher grades and the lower grade, all could have the mirable obvious difference. The people said frequently that, the generation gap is the time trace, the transformation footsteps. So looked like that, appears the generation gap is natural, does not have the generation gap is unnatural on the contrary, therefore, the generation gap phenomenon easily was also understood by the human. But the generation gap is after all a difficulty which the puzzle exchanges and communicates, moreover easy to increase forms the prejudice and the discrimination possibility, the generation gap both sides person light then did not understand mutually, the heavy piece holds the hostility, therefore we also must make each kind through all sorts of ways to surmount the generation gap diligently, to level the generation gap. Actually, the generation gap also was not one physical existence, but is one kind of psychological existence, the contact, may let the psychological relation which between the generation and the generation once broke continue, thus achieved the exchange smooth and was together harmony.
代沟，简单地说就是不同年龄层次的人因思想观念上的差距造成的心理距离。就象沟一样，隔开了一代一代的人，影响两代人之间的理解和沟通。但是到了新世纪，代沟不仅存在于上一代与下一代之间，而且在年龄相隔10年、8年的人们之间，甚至在大学的高年级与低年级之间，都会有令人惊叹的明显差异。人们常常说，代沟是时间的痕迹，变革的脚步。如此看来，出现代沟是自然的，没有代沟反倒是不自然的，所以，代沟现象也容易被人理解。但代沟毕竟是困扰交流与沟通的难点，而且容易增加形成偏见和歧视的可能性，代沟两侧的人轻则互不理解，重则抱有敌意，所以我们也要通过种种途径作各种努力来跨越代沟、填平代沟。其实，代沟也并不是一种物理存在，而是一种心理存在，接触，可以让代与代之间曾经断裂的心理联系接续起来，从而达到交流的顺畅和相处的和谐。
汉语翻译n.天神下凡化作人形,化身英语解释：名词 avatar:
a new personification of a familiar idea
同义词：embodiment, incarnation
the manifestation of a Hindu deity(especially Vishnu) in human or superhuman or animal form
详细解释：av.a.tar
n.（名词）The incarnation of a Hindu deity, especially Vishnu, in human or animal form.降凡：指天神，尤指印度教毗湿奴神下凡为人或动物形象An embodiment, as of a quality or concept; an archetype:具体化：指某种性质或概念的形象化；原始模型：例句：the very avatar of cunning.狡猾的原形
A temporary manifestation or aspect of a continuing entity:体现av concept：一种连续状态的暂时显现或表现：例句：occultism in its present avatar.神秘学的体现
来源：Sanskrit avat3raô梵文 avat3raô ava [down] ava [向下] tarati [he crosses]* see ter…- 2tarati [他跨过]*参见 ter…- 2
中文片名
威洛
外文片名
Willow
更多av concept中文片名
风云际会
小魔仙
影片类型
动作/奇幻/冒险/喜剧
片长
126 min
对白语言
英语
色彩
彩色
幅面
35毫米胶片变形宽银幕
混音
70 mm 6-Track Dolby SR
级别
Australia:PG Singapore:PG Norway:15 Sweden:15 Finland:K-12 UK:PG USA:PG Canada:PG Spain:T
Brazil:Livre West Germany:12 Ireland:12
制作成本
$35,000,000(estimated)
拍摄日期
1987年4月27日- 1987年10月
摄制格式
35 mm
洗印格式
35 mm
演职员表
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导演
朗·霍华德 Ron Howard
编剧
乔治·卢卡斯 George Lucas.....(story)
鲍勃·德尔曼 Bob Dolman.....(screenplay)
演员
瓦尔·基尔默 Val Kilmer.....Madmartigan
Joanne Whalley.....Sorsha
沃维克·戴维斯 Warwick Davis.....Willow Ufgood
Jean Marsh.....Queen Bavmorda
Patricia Hayes.....Fin Raziel
Billy Barty.....High Aldwin
Pat Roach.....Gen. Kael
Gavan O'Herlihy.....Airk Thaughbaer
David Steinberg.....Meegosh
Phil Fondacaro.....Vohnkar
Tony Cox.....Vohnkar warrior
Robert Gillibrand.....Vohnkar warrior
Mark Northover.....Burglekutt
凯文·波拉克 Kevin Pollak.....Rool
Rick Overton.....Franjean
Maria Holvoe.....Cherlindrea(as Maria Holvöe)
Julie Peters.....Kaiya Ufgood
Mark Vande Brake.....Ranon Ufgood
Dawn Downing.....Mims Ufgood
Michael Cotterill.....Druid
Zulema Dene.....Ethna
Joanna Dickens.....Barmaid
Jennifer Guy.....The Wench
Ron Tarr.....Llug
Sallyanne Law.....Mother
Ruth Greenfield.....Elora Danan
Kate Greenfield.....Elora Danan
Kenny Baker.....Nelwyn band member(uncredited)
Peter Burroughs.....Nelwyn villager(uncredited)
Gerry Crampton.....Lieutenant in snow village(uncredited)
Kim Davis.....Mountain villager(uncredited)
Samantha Davis.....Nelwyn villager(uncredited)
Malcolm Dixon.....Nelwyn band member(uncredited)
Valerie Gale.....Villager(uncredited)
Rusty Goffe.....Nelwyn villager(uncredited)
Cheryl Howard.....Mountain villager(uncredited)
Greg Powell.....Nockmaar lieutenant(uncredited)
Nosher Powell.....(uncredited)
Jack Purvis.....Nelwyn band member(uncredited)
David Sibley.....Galladoorn warrior(uncredited)
制作人
乔·庄斯顿 Joe Johnston.....associate producer
乔治·卢卡斯 George Lucas.....executive producer
Nigel Wooll.....producer
制作发行
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制作公司
Imagine Entertainment [美国]
卢卡斯电影有限公司 Lucasfilm Ltd. [美国]
米高梅 Metro-Goldwyn-Mayer(MGM) [美国]
发行公司
20世纪福克斯家庭娱乐公司 20th Century Fox Home Entertainment [美国].....(USA)(DVD)
哥av concept伦比亚三星家庭视频公司 Columbia TriStar Home Video [美国].....(USA)(VHS)
LK-TEL Vídeo [巴西].....(Brazil)(VHS)
RCA/Columbia Pictures Home Video [美国].....(1996)(USA)(VHS)
United International Pictures(UIP) [法国].....(France)
特技制作公司
工业光魔公司 Industrial Light& Magic(ILM) [美国]
Ray Mercer& Company [美国].....(optical effects)
Visual Concept Engineering(VCE) [美国].....(optical effects)
其它公司
Lee Lighting Ltd. [英国]..... lighting
Sprocket Systems [美国]..... post-production sound services
上映日期
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美国
USA
1988年5月20日
西班牙
Spain
1988年12月2日
芬兰
Finland
1988年12月9日
英国
UK
1988年12月9日
法国
France
1988年12月14日
澳大利亚
Australia
1988年12月15日
西德
West Germany
1988年12月15日
瑞典
Sweden
1988年12月16日
菲律宾
Philippines
1990年2月13日.....(Davao)
剧情介绍
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版本一
影片讲述Willow是身材矮小的Nelwvn族人，他们大部分是农人和矿工，生活在一块平静的中立地区，但是围绕在他们四周的土地却是战火连连。一天，Willow无意中捡到能够破坏女巫魔力的女婴，于是他便负起护送女婴前往正义城堡的使命。虽然征途遥远，而且女巫还派精兵沿途搜掠追杀，幸而得到族人武士以及两个小妖精的帮助，Willow终于不屈不挠地护送女婴到达目的地。
版本二
黑暗的中世纪，恶毒的女王巴夫莫达听说一个即将诞生的女婴会在将来推翻她的统治成为王位的合法继承人，遂下令将王国内所有的怀孕妇女全部处死。一个叫埃洛拉·达南的女婴刚出世便被送到木筏上顺流而下，矮小的内尔温族人威洛将其救起。威洛想将达南送归戴基尼人，途中，被布朗尼国的人抓获，对达南的命运深表同情的彻德林女王将一根魔杖送给了他们，还派人护送他们前往蒂尔·阿斯林王国。巴夫莫达女王在听说此事后派索莎公主和凯尔将军将他们全部抓住，威洛伺机逃走，却又被围困在一个村子里。反对巴夫莫达女王的戴基尼造反者援救了他们，还俘虏了索莎公主。巴夫莫达女王在威洛和他的军队逼近城堡时将他们变成了猪，但站在威洛一边的女魔法师又将他们变回原状。一番激战后，威洛的军队打败了巴夫莫达女王。结为夫妻的马德马蒂根和索莎不仅收养了达南，还将她立为合法继承人。完成了使命的威洛则回到了内尔温族人的村庄。
精彩评论
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Adventure doesn't come any bigger than this.
Forget all you know, or think you know.
A world where heroes come in all sizes and adventure is the greatest magic of all
Beyond Good... Beyond Evil... Beyond your wildest imagination...
幕后制作
立意新颖、有着丰富曲折情节的《威洛》其素材多处来自神话和传说，有着巨人、仙女、侏儒、女巫和双头龙等众多的形象。影片的技术无可挑剔，描写变形的镜头，如芬·雷齐尔从山羊到鸵鸟、孔雀、海龟、老虎，最后变成人形的一系列镜头非常精彩，这组镜头没有使用假模型和剖面图镜头，而是通过用细木杆支撑的木偶的表演和电子计算机控制的卡通画面完成了这一复杂的过程。
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